Some simply exude warmth.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
Monochrome floral.
Incidentally, this image was processed in Lightroom 4, because my copy of Aperture 3 crashed and wouldn’t re-start when I was processing images for a client. It’s the first time I’ve used LR4 (the first image I processed with it was this one) and the experience has been positive.
My copy of Aperture is finally back up and running, but Lightroom has earned a permanent place in my post-processing toolbox.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
I’m of course referencing the ring of light found in religious and literary iconography.
The dramatic halo effect in this image is courtesy of the optical “flaw” known as lens flare — something I’ve harnessed in the past to convey my view of life as a dream.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
Currently, my favourite lens, for both digital and film.
I’ve previously criticized it as being too perfect, but after years of both embracing and neglecting it, I’m beginning to realize that it’s just perfectly balanced.
To see all of the images I’ve captured with this lens, please see here.
—Peter.
He may be young, but he is definitely older.
Look at him, as he was a year ago.
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“Time keeps on slipping, slipping… into the future.”
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(please click on the image to view)
↑Leica M9 and Voigtländer Nokton 40mm @ f/1.4.