View of the East Coast from the top level of the Grenade Hall Signal Station.
It’s easy to miss this view if you walk by the window, because it’s not obvious until you poke your head through.
—Peter.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/2.8.
View of the East Coast from the top level of the Grenade Hall Signal Station.
It’s easy to miss this view if you walk by the window, because it’s not obvious until you poke your head through.
—Peter.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/2.8.
Prosophos 
Hello Peter,
I had thought that the 50mm was essentially for close and medium range shots… I see that you use the 50 successfully for landscapes. Being curious, and it probably is a dumb question, but what would pull you away from the 50 to get a wider view?
To put it another way, do you find the 50 versatile to cover most situations?
John
Yes, the 50 covers most situations for me, but I tend to “see” things in 50mm terms.
I agonized about my lens choice(s) before this trip, but ultimately decided one lens would free me up and lead to more “gotten” shots than missed ones. In other words, I followed my own advice… the same advice I pass on to students 🙂
Bah. That is nothing. We have scenery like that in Edmonton ALLLLL the time.
Heh heh–Gorgeous picture. Wish I was there!
Yes, of course.
It was you who once referred to your own city as “DEdmonton”, I believe 😉