A suspended moment.
↑Leica M2 or M3, Kodak Tri-X 400, and Leica 35mm Summilux FLE @ f/2.
P r o s o p h o s
Photography by Peter | Prosophos
Category Archives: Leica M2
That next step.
(please click on the image to view)
Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
The Madonna.
Outer glow ← inner glow, as captured on film.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
She, then and now (film).
A few years ago, I realized I had never captured her on film.
It was important to me for some reason.
So I started shooting film again.
_
(please click on the images to view)
2009:
↑Leica M3, Fuji X-tra 400, and Voigtländer Nokton 40mm @ f/1.4.
2010:
↑Leica MP, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.
2011:
↑ Leica M2, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.
2012:
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
_
I look at these images now, and follow the path of light:
originating from the late afternoon sun,
filtering through the window,
touching her face before reflecting off,
traversing the distance between us,
bending in the glass elements of a lens,
and finally etching her image onto an organic emulsion.
_
The film, like the viewer, is forever altered.
And it all happens in a fraction of a second — just like growing up.
—Peter.
The baker washes up (1 & 2).
With the muffins safely baking in the oven, the clean-up begins.
(please click on each image to view)
↑Both images: Leica M2, Kodak Tri-X 400, Leica 50mm Summilux ASPH @ f/1.4.
The conversation.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
Untitled.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4
This photo was chosen as a Leica Fotografie International (LFI) Master Shot.
Glow.
The alchemy of innocence, silver halide, and gentle light.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 75mm Summilux @ f/1.4.
